About Us
Founded in 2009 with an activist mission to devise hilarious, cutting, and visually-provocative satires to catalyze urgent discourse, Naked Empire has become North America’s premier bouffon company.
Mission and History
The targets of our work have included hypocrisy within the San Francisco queer community, capital punishment, fear of mortality, artistic pretentiousness, American imperialism, police brutality, ignoring refugee crises, and class privilege, among many other topics. We have had the privilege of touring North America with multiple award-winning productions winning Best of the Fringe twice in San Francisco, the Talk of the Fringe Award in Vancouver, the Artist’s Choice Award in Edmonton, as well as Official Selections from the Toronto Festival of Clowns, Vancouver’s Dancing on the Edge Festival, Victoria’s UNOFest, Berkeley’s Blast Festival, and Xfest in Edwardsville, Illinois.
We are also dedicated to expanding the practice of bouffon. Since 2011, we have brought our training intensives to cities across North America, including San Francisco, Los Angeles, Las Vegas, Vancouver, Edwardsville, Calgary, Santa Fe, Minneapolis, Toronto, and Montreal. In 2013, in collaboration with the San Francisco Circus Center/Clown Conservatory, Naked Empire’s Artistic Director led a 7-week Bouffon Intensive. The intensive featured guest instruction by Dell’Arte International’s Founding Artistic Director, Joan Schirle, and was the most comprehensive bouffon training ever offered in the United States.
The company has created multiple full-length and cabaret-length works for the stage and street
SHAME! (2009), Cousin Cruelty’s Compulsion (2010-2011), Apocalyptika (2011), The Sally Eager Cooking Show (2012), You Killed Hamlet, or Guilty Creatures Sitting At A Play (2012-2013), A Tribute to Rob Ford (2013), A Beautiful Day In The Neighborhood with Trayvon Martin & George Zimmerman (2013), The Trickster – in collaboration with Karen Jamieson Dance (2013, 2015), You Fucking Earned It (formerly My Fellow ‘Mericans) (2014-2017), Do What You Love (2016-2017).
For the two years of 2015 and 2016, the company offered a monthly late-night show at San Francisco’s landmark indy entertainment venue, PianoFight. During the first year the show featured some of the Bay Area’s best underground performers alongside the company’s own new short works for a curated night of subversive and satirical hilarity. During the second year, the company changed the format and the title of the night to TOO SOON! which featured an all-new, hour-long bouffon show created on the day of the performance. TOO SOON! looked unflinchingly at current events polite society considered too soon to laugh at and was featured as a cover story for Xpress Magazine.
Naked Empire’s awards and grants include:
Mama Calizo’s Voice Factory Artist Residency, SF Bay Guardian Best of the Bay, Center for Cultural Innovation Quick Grant, San Francisco Arts Commission – Cultural Equity Grant, SF Best of the Fringe, Steuy – Best Fusion Theater, Official Selection – Toronto Festival of Clowns, Plank Magazine Talk of the Fringe Award – Vancouver, Georgia Straight, Critic’s Pick Nominee – Vancouver Fringe, Theatre Bay Area CA$H Grant, Center for Cultural Innovation Investing in Artists Grant, Kenneth Rainin Foundation New & Experimental Works Grant, and The Puffin Foundation Grant.
Current works include How To Catch A Karen (virtual streaming June + August 2021), and an as yet untitled Puerto Rican Project (late spring 2022).
Nathaniel Justiniano and Giovanni Fusetti at Dell’Arte International School of Physical Theatre. Photo by Joan Schirle
What’s Bouffon?
Bouffon is a broad performance realm rooted in satire and mockery. Naked Empire’s approach and aesthetic may not be the same as other practitioners. Critics have described our work as follows:
“Naked Empire Bouffon has been developing a theatrical style that builds on a solid foundation of lewd, crude, and rude shenanigans. Their dramatic goal is to combine social activism with physically grotesque satire. Their acutely confrontational performance style makes the San Francisco Mime Troupe look like a bunch of old biddies gathering for afternoon tea. Lewis Black might end up sounding like a pussy.” –Huffington Post
“Physical and public disruptions are particularly suited for the exaggerated, merciless bouffon persona… Consummate social critics, bouffons are not afraid to be confrontational in their approach, and, unlike other clowns, are never the punchline to their own gags.” –American Theatre Magazine
“The resultant characters — bundles of twisted, giggling, homicidal urges who have an uncomfortable talent for honing in on the weaknesses of others — are, well, insanely entertaining. Justiniano believes these “groveling goblin prophets” are harbingers of essential truths whose very grotesqueness compels people to pay them heed.” –San Francisco Bay Guardian
“Mind-blowingly brilliant, incredibly challenging. Hysterical physical comedians and quick on their feet. Through fiercely intelligent writing and delightfully risqué performance, this clever duo unabashedly tackles every topic. Without a doubt, Art of the highest calibre, dragged through the mud, beaten to a bloody pulp and served up, piping hot, on a silver platter.” –Bloody Underrated
“It’s vile and provocative, but it’s also a very sly, smart commentary on a culture busily amusing itself as it slides off this mortal coil, too afraid to talk about serious things, and too busy dumbing itself down.” –A Beast In A Jungle
Naked Empire’s work owes much of its existence to a venerable lineage of performance research and practice. Most notably, the work of Master Teacher Giovanni Fusetti, who introduced Artistic Director, Nathaniel Justiniano to this realm of performance during his training at Dell’Arte International School of Physical Theatre.
Who we are
Nathaniel Justiniano advertising for You Killed Hamlet. Photo by Shootthatklown
Nathaniel Justiniano (Founder, Artistic Director)
Nathaniel is an actor/creator, director, movement designer, and teacher. His satirical performances are outrageous comedies derived from today’s tragedies. In 2007, under the direction of Master Teacher Giovanni Fusetti, he co-created Pax Americana, a satire of war as seen through the lens of United States history and EUOI!, a bouffon experiment in ecstatic ritual, inspired by the research of anthropologist, Barbara Ehrenreich. In 2009 he led the creation of SHAME!, Naked Empire’s debut that skewered the San Francisco queer community. His short one-man show, Cousin Cruelty’s Compulsion, addresses the use of institutional violence in society and was one of the offerings in the 2011 International Home Theatre Festival, as well as the subject of a feature column in the San Francisco Bay Guardian. Throughout 2012 and 2013, he co-created and performed in You Killed Hamlet (or Guilty Creatures Sitting At A Play), a satire about avoiding death which won critical acclaim, the San Francisco Best of the Fringe Award, the Vancouver/Plank Magazine Talk of the Fringe Award, a nomination for Vancouver’s Georgia Straight Critic’s Pick Award, and was an Official Selection of the Toronto Festival of Clowns. In 2014 he began a multi-year project directing and co-creating You Fucking Earned It (formerly titled My Fellow ‘Mericans), a bouffon duet co-created by company members, Sabrina Wenske and Cara McClendon, that shines an unflattering light on the American Dream and economic imperialism. Excerpts of ‘Mericans have been seen and celebrated at MOJO Theatre and PianoFight, and the full-length version of the show premiered in 2016. In the summer of 2015, he represented Naked Empire in a two-person, cross-disciplinary collaboration with Vancouver-based contemporary dance legend, Karen Jamieson, in Trickster, a biting and funny dissection of dance and dance-making that they performed in the Dancing on the Edge Festival. Class privilege was the target in his one-person show called Do What You Love. The piece was a result of over a year of research and collaboration with theater-makers including the co-founder of Theatre de la Jeune Lune, Robert Rosen, fellow bouffon and founder of Toronto’s Play On Theatre, Adam Lazarus, as well as the former star of Las Vegas’ hit show, Absinthe, Gabriel McKinney. Currently, he is directing and co-creating Naked Empire’s one-person show, How To Catch A Karen, skewering white supremacist delusion among white progressives. Nathaniel also leads Naked Empire’s training program, teaching his award-winning, weekend-long intensive across North America, and in 2013, as a member of the faculty of the San Francisco Clown Conservatory, he directed a 7-week Bouffon Intensive, the most comprehensive bouffon training ever offered in the United States. Nathaniel also performs for other companies. He has performed with The Thrillpeddlers in their mega-hit, Pearls Over Shanghai, as well as with The Cutting Ball Theater in Ubu Roi, directed by Wilma Theater’s Yury Urnov, for which he was awarded Best Puppetry by the SF Weekly. In 2014, he worked for 6-months as a physical comedian in Tyre Change, an original short play conceived and directed by Gabriel McKinney that he performed over 400 times at Abu Dhabi’s Ferrari World. Since 2012, he has worked with We Players as a performer in their epic productions of The Odyssey on Angel Island, Macbeth at Fort Point, and Ondine at Sutro which earned 7 Theatre Bay Area Award Nominations and a win for him with the supremely long-titled award of Outstanding Performance for an Actor in a Featured Role in a Play. Also with We Players he co-created and performed HEROMONSTER, a ritual poem that looked unflinchingly at our darkness and our light, co-created and performed an experimental adaptation of Beowulf, and he designed the movement, assistant directed, and performed in Midsummer of Love, a 6-person adaptation of Shakespeare’s play. He has served as the Director of Physical Comedy for the Sacramento Shakespeare Festival, guest teacher of physical theatre at Sacramento City College and Kinetic Arts Center of Oakland, Movement Designer for UC Berkeley’s TDPS Department, core faculty of the SF Clown Conservatory, and guest faculty at the Juilliard School. He has also been a professional community organizer and educator for LGBT youth empowerment programs for Childrens Hospital Los Angeles and the LA Gay & Lesbian Center, as well as a program manager for community-based theatre initiatives out of the National Conference for Community & Justice and Cornerstone Theater Company. He holds a BFA in Theatre Performance from Chapman University and an MFA in Ensemble-Based Physical Theatre from Dell’Arte International School of Physical Theatre. Since the Fall of 2018, he has been a full-time Assistant Professor in the Performing Arts and first-in-the-nation Comedic Arts program at Emerson College in Boston, MA.
contact > nathaniel [at] nakedempirebouffon [dot] org
Sabrina Wenske (Program Director)
Sabrina Wenske is an actor and devised theatre-maker, currently based in the Bay Area. She is a first-generation Polish American and queer artist, focusing on bringing bouffon to more audiences, and enacting social change through storytelling. She is a regular ensemble performer with NEBC and Palace of Trash at the Stud, which has many veterans from Thrillpeddler’s.
Sabrina’s first show with Naked Empire Bouffon Company was You Fucking Earned It, co-written with Nathaniel Justiniano and Cara McClendon. It was a hit at the Edmonton Fringe Festival 2017, winning the Artists’ Choice award, followed by the Best of Fringe award at the San Francisco Fringe Festival in 2017. As the Program Director, Sabrina launched two years of monthly shows for Naked Empire from 2015-2016. The first year was a curated cabaret of subversive acts mixed with bouffon. The next year was Too Soon, a monthly show devised in a single day and performed that evening, entailing all things that are taboo or “too soon” to talk about in the current news cycle.
Sabrina is proud to have been in many devised ensemble works in the Bay Area, including: Bend the Rules, Eat the Head (Best of SF Fringe 2015; Shotgun Players’ Blast Festival 2016), head clown in Circus Center’s Guilty as Sin (2015), How to Ripen by Addie Ulrey (2014 FuryFactory Festival), and O Best Beloved (Best of SF Fringe 2013).
Sabrina has worked as an actor with Take3 Presents, Bay Area Children’s Theater, FaultLine Theater, and Ragged Wing Ensemble. As an actor, Sabrina has appeared in the world premiere of In Quest (2014) and Stegosaurus (2016) with FaultLine Theater, and Lyle the Crocodile (2012) with Bay Area Children’s Theatre. Sabrina also does some humanitarian clowning and social circus projects, previously working with Clowns Without Borders in Oakland and Living Dream Arts in the South and East Bay to bring circus and clown to underprivileged youth.
Sabrina graduated from UC Berkeley, studying Early Modern European History and Theatre and Performance Studies in 2011. Following that, Sabrina attended the professional training program at Dell’Arte International 2012 to study devising theatre through mask, Commedia, and clown.
contact > sabrina [at] nakedempirebouffon [dot] org
Program director, Sabrina Wenske, performs at PianoFight. Photo by Arnista Photography
Past Collaborators
Cara McClendon – Artistic Associate (2014 – 2017), Co-Creator/Co-Performer of You Fucking Earned It (formerly My Fellow ‘Mericans)
Ross Travis – Artistic Associate (2010 – 2013), Co-Creator/Co-Performer of You Killed Hamlet, Performer of Apocalyptika
Nicole Gluckstern – Stage Manager for You Killed Hamlet in Edmonton and Vancouver
Patrick Zuercher – Stage Manager for You Killed Hamlet SF Fringe
Megan Finlay – Outside Eye for Shame!
Alan Kline – Assistant Director and Stage Manager for Shame!
Adriana Chavez – Performer in Shame!
Jorge De Hoyos – Performer in Shame!
Evan Johnson – Performer in Shame!
Faeble Kievman – Performer in Shame!
Performers in Too Soon: Michele Owen, Sango Tajima, Fenner, Sophia Knox-Miller, Micael Bogar, Kaya Mey, Henry Andrews, Steven Westdahl, Christina Shonkwiler, Lars Adams, Miyaka Cochrane, Darius Sohei, Evan Johnson, Cara McClendon, and Sabrina Wenske; Directors for Too Soon: Nathaniel Justiniano, Sabrina Wenske
Acts in Naked Empire – The Monthly Show: Snatch Adams, Philip Huang, Liz Tenuto, Nick Knave, Slater Penney, Pearl Marril, Micael Bogar, Juliana Frick, Danielle Conover, Dan Griffiths, Amy Shank, Aaron Kitchin, Carly Clapham, Wyndy Wynazz, Henry Andrews, Joseph Hren, Darius Sohei, Sophia Knox-Miller, Cara McClendon, and Sabrina Wenske; Curated by Nathaniel Justiniano, Sabrina Wenske, and Cara McClendon
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Naked Empire Bouffon Company
San Francisco / Boston
Email us: info [at] nakedempirebouffon [dot] org